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The Errant Art Of Moby Dick

The Errant Art of Moby Dick PDF
Author: William V. Spanos
Publisher: Duke University Press
ISBN: 9780822315995
Size: 76.89 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 374
View: 5237

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In The Errant Art of "Moby-Dick," one of America’s most distinguished critics reexamines Melville’s monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick—a work virtually ignored and discredited at the time of its publication—William V. Spanos uncovers a text remarkably suited as a foundation for a "New Americanist" critique of the ideology based on Puritan origins that was codified in the canon established by "Old Americanist" critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this "New Americanist" discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor. Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville’s novel as a "romance" renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America’s self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos’s critique reveals the extraordinary relevance of Melville’s novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as "the end of history." This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.

Herman Melville And The American Calling

Herman Melville and the American Calling PDF
Author: William V. Spanos
Publisher: SUNY Press
ISBN: 9780791475645
Size: 55.10 MB
Format: PDF, Mobi
Category : Literary Criticism
Languages : en
Pages : 280
View: 2803

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Argues that Herman Melville’s later work anticipates the resurgence of an American exceptionalist ethos underpinning the U.S.-led global “war on terror.”

American Studies

American Studies PDF
Author:
Publisher:
ISBN:
Size: 37.68 MB
Format: PDF, Mobi
Category : America
Languages : en
Pages :
View: 7486

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Nineteenth Century Literature Criticism

Nineteenth century Literature Criticism PDF
Author: Laurie Lanzen Harris
Publisher:
ISBN:
Size: 76.52 MB
Format: PDF, Docs
Category : Literature, Modern
Languages : en
Pages :
View: 4314

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Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.

The Cultural Shuttle

The Cultural Shuttle PDF
Author: European Association for American Studies. Conference
Publisher: Vu University Press
ISBN:
Size: 35.12 MB
Format: PDF, ePub, Mobi
Category : Culture
Languages : en
Pages : 304
View: 5378

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'What is whose?' As there develops increasing speculation, in our age, on the nature of 'globalisation', the prodigious flux of ideas, people, ideas, goods and fashions between Europe and the United States over the centuries invites nuanced approaches and a modicum of relativisation. Imports and exports, the endless back and forth movement of political, social, economic, cultural notions and institutions permanently raise the question of reciprocal influences and contributions. 'Facing realities' is both a fact and an indispensable activity. American institutions are indebted to European thought, American culture has to deal with European visions and the variety of the European heritage; American social and political circumstances keep informing and interfering with European choices and decisions. What notions, values and artefacts are indeed 'adopted' by one or the other continent turn out to be selected in the name of idiosyncratic cultural dispositions and thereby undergo subtle modifications. No cultural object or sign ever travels without being profoundly transformed. This volume examines nationhood, citizenship and culture, on both sides of the Atlantic, in the light of such complex exchanges. At a time when Europe is exploring its own political organization, it seeks to profit by the American experience; at a time when American culture is more and more forcefully asserting its presence in Europe, critical evaluations of its real pertinence grow more numerous. What superficially appears to be one-sided imposition turns out to be an intricate and complex dialogue. Resistance, caution, recalcitrance, defiance and rejection are as important for a definition of identity as enthusiastic sharings and the adoption of welcomed influences, however ambiguous and variously motivated. An analysis of misunderstandings is the surest way to mutual comprehension. Climb aboard the cultural shuttle.

The Literature Film Reader

The Literature film Reader PDF
Author: James Michael Welsh
Publisher:
ISBN:
Size: 45.83 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 361
View: 5022

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From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history-often a separate category of film study-can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.